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Song of Songs 8 Longing for Love

1 If only you were to me like a brother,
who was nursed at my mother’s breasts!
Then, if I found you outside,
I would kiss you,
and no one would despise me.

2 I would lead you
and bring you to my mother’s house—
she who has taught me.
I would give you spiced wine to drink,
the nectar of my pomegranates.

3 His left arm is under my head
and his right arm embraces me.

4 Daughters of Jerusalem, I charge you:
Do not arouse or awaken love
until it so desires.

5 Friends
Who is this coming up from the desert
leaning on her lover?
Beloved
Under the apple tree I roused you;
there your mother conceived you,
there she who was in labor gave you birth.

6 Place me like a seal over your heart,
like a seal on your arm;
for love is as strong as death,
its jealousy unyielding as the grave.
It burns like blazing fire,
like a mighty flame.

7 Many waters cannot quench love;
rivers cannot wash it away.
If one were to give
all the wealth of his house for love,
it would be utterly scorned.

8 Friends
We have a young sister,
and her breasts are not yet grown.
What shall we do for our sister
for the day she is spoken for?

9 If she is a wall,
we will build towers of silver on her.
If she is a door,
we will enclose her with panels of cedar.

10 Beloved
I am a wall,
and my breasts are like towers.
Thus I have become in his eyes
like one bringing contentment.

11 Solomon had a vineyard in Baal Hamon;
he let out his vineyard to tenants.
Each was to bring for its fruit
a thousand shekels of silver.

12 But my own vineyard is mine to give;
the thousand shekels are for you, O Solomon,
and two hundred are for those who tend its fruit.

13 Lover
You who dwell in the gardens
with friends in attendance,
let me hear your voice!

14 Beloved
Come away, my lover,
and be like a gazelle
or like a young stag
on the spice-laden mountains.

Analysis of Song of Songs Chapter 8

Song of Songs Chapter 8 concludes one of the most enigmatic and evocative books in the Bible. Often interpreted as an allegory for God’s love for Israel or Christ’s love for the Church, this book is also celebrated for its celebration of human love and romantic passion. Chapter 8, in particular, presents a rich tapestry of emotions, lifelong commitments, and societal norms regarding love and intimacy. Below is a detailed analysis of each verse, addressing the text’s literary elements, theological implications, and cultural context.

Verses 1-2

“If only you were to me like a brother,
who was nursed at my mother’s breasts!
Then, if I found you outside,
I would kiss you,
and no one would despise me.
I would lead you
and bring you to my mother’s house—
she who has taught me.
I would give you spiced wine to drink,
the nectar of my pomegranates.”

These opening verses reflect a yearning for greater social acceptance and intimacy. The speaker wishes that her beloved were like a brother so that societal norms would permit public displays of affection without disdain. In ancient Near Eastern culture, familial bonds allowed for greater physical closeness and public affection, something not as freely permissible between lovers due to social conventions.

Bringing the beloved to the mother’s house alludes to seeking approval and blessings for their union. The reference to “spiced wine” and “nectar of my pomegranates” symbolizes intimate sharing and the richness of their love. Moreover, the mother’s house could signify a safe space where the lover’s relationship stands free of societal judgment.

Verses 3-4

“His left arm is under my head
and his right arm embraces me.
Daughters of Jerusalem, I charge you:
Do not arouse or awaken love
until it so desires.”

Here, the physical intimacy between the lovers is highlighted, depicting a moment of tenderness and mutual affection. The positioning of arms suggests protection, support, and an encompassing love.

The charge to the “Daughters of Jerusalem” reemphasizes a theme recurrent throughout the Song—love should not be hurried or forced. The call for love to awaken “until it so desires” advocates for a natural, organic progression of relationships, emphasizing patience and timing in the arena of love and affection.

Verses 5-7

“Who is this coming up from the wilderness
leaning on her beloved?
Under the apple tree I roused you;
there your mother conceived you,
there she who was in labor gave you birth.
Place me like a seal over your heart,
like a seal on your arm;
for love is as strong as death,
its jealousy unyielding as the grave.
It burns like blazing fire,
like a mighty flame.
Many waters cannot quench love;
rivers cannot sweep it away.
If one were to give
all the wealth of one’s house for love,
it would be utterly scorned.”

The imagery of the “wilderness” and “leaning on her beloved” invokes a sense of journey and dependence, suggesting that love offers a haven amidst life’s wilderness. The reference to the apple tree, birth, and conception may symbolize life’s cyclical nature and continuity, hinting at a longstanding relationship founded in deep roots.

“Place me like a seal over your heart” portrays love as an indelible and defining mark on one’s being—a declaration of mutual belonging and commitment. Seals in the ancient world signified ownership, authenticity, and protection. In this context, it implies an eternal bond and an exclusive claim upon the beloved’s love.

The comparison of love to death and the grave’s unyielding nature is profound, suggesting that love is inevitable, enduring, and all-consuming. The imagery of “blazing fire” and “mighty flame” elevates love to something divine and powerful, untouchable by external forces (“many waters cannot quench love”). Essentially, love is depicted as invaluable and priceless (“utterly scorned if wealth were given for love”). These verses capture love’s intense, unbreakable, and sublime nature.

Verses 8-10

“We have a little sister,
and her breasts are not yet grown.
What shall we do for our sister
on the day she is spoken for?
If she is a wall,
we will build towers of silver on her.
If she is a door,
we will enclose her with panels of cedar.
I am a wall,
and my breasts are like towers.
Thus I have become in his eyes
like one bringing contentment.”

These verses introduce a collective voice pondering the future of a younger sister, symbolizing innocence and potential growth. “Her breasts are not yet grown” indicates that she is not yet mature enough for romantic involvement. The community’s role in guiding and protecting her is emphasized, reflecting the societal responsibilities entailed in safeguarding young women.

The metaphors of “wall” and “door” reflect different traits: a wall suggests resilience and steadfastness, while a door entails openness and vulnerability. The use of “towers of silver” and “panels of cedar” imply adornment and protection, respectively, aligning with societal values of purity and readiness.

In claiming herself as a wall, the speaker asserts her maturity and resilience, signifying that she has established her own identity and strength. Her “breasts like towers” could indicate her readiness for love, contributing to her lover’s contentment. This progression reveals the growth and evolution of the speaker from a protected sister to a fulfilled and mature woman in the eyes of her beloved.

Verses 11-12

“Solomon had a vineyard in Baal Hamon;
he let out his vineyard to tenants.
Each was to bring for its fruit
a thousand shekels of silver.
But my own vineyard is mine to give;
the thousand shekels are for you, Solomon,
and two hundred are for those who tend its fruit.”

The mention of Solomon and his vineyard connects to a broader societal and economic context. Solomon, often symbolizing wealth and kingship, has a vineyard that yields significant revenue, reflecting structured commerce and labor divisions.

Contrastingly, the speaker asserts the autonomy over her vineyard, symbolizing personal intimacy and love. “My own vineyard is mine to give” underscores the theme of personal agency in relationships, distinguishing her inherent value from economic transactions. The allocation of ‘thousand shekels’ to Solomon and ‘two hundred to those tending its fruit’ symbolizes honoring commitments while retaining personal sovereignty in love.

Verses 13-14

“You who dwell in the gardens
with friends in attendance,
let me hear your voice!
Come away, my beloved,
and be like a gazelle
or like a young stag
on the spice-laden mountains.”

The imagery of dwelling in gardens and calling on the beloved encapsulates an idyllic and serene vision of love. Gardens are recurrently seen as symbolic of fertility, lushness, and intimacy in biblical literature.

“Let me hear your voice” is a plea for mutual engagement, illustrating the desire for communication and closeness. The concluding call to “come away” mirrors earlier invitations for private togetherness, invoking a sense of adventure and longing.

The animal imagery—gazelle and young stag—conveys swiftness, beauty, and vitality, often representing the idyllic lover’s pursuit. “Spice-laden mountains” suggest exoticism and richness, enhancing the allure of their romantic engagement.

Thematic Synthesis and Conclusion

Song of Songs Chapter 8 weaves together themes of intimacy, societal norms, personal growth, and enduring love. The text is rich in symbolic imagery, evoking a profound understanding of love’s multi-faceted nature. The chapter navigates the tension between societal constraints and personal desires, urging a balance of respect, protection, and self-expression in relationships.

The recurring motif—”Do not arouse or awaken love until it so desires”—emphasizes patience and natural progression, aligning with broader biblical principles of timing and divine orchestration. The intense, unquenchable fire of love presented in the chapter aligns with God’s unwavering love for humanity, integrating the sacred and the personal.

Ultimately, this chapter celebrates love’s transformative power, evoking a vision of mutual fulfillment, unwavering commitment, and personal autonomy within the covenant of love. It stands as a poetic and powerful testament to love’s divine and human dimensions, offering profound wisdom for navigating the complexities of romantic and spiritual relationships.